Eagle-eyed readers may have noted that I ended my last ramble in a deli. "That's a bit odd," you may have thought. "A small village with its own delicatessen?"
Thing is, Chelford is slap bang in the middle of the "Golden Triangle". Bounded by Macclesfield, Winsford and Knutsford, this is the premier region of the North West for the idle rich. This is footballer territory, self-made millionaire land, home to Coronation Street actors and entrepreneurs. It's a place where money is the most important topical conversation - who's got it, who hasn't, and what it's being spent on.
The deli was a fine example of a place for people to spend money on stuff they didn't really need, like their wallet was too heavy and they needed to empty out a couple of twenties somehow. Jars of mysterious oils. Boxes of delicate chocolates. Foreign breads "baked to order". Bags of "kindling" for £3.50, artfully tied up and designed to be displayed rather than burnt. The proprietress - who I thought had sneered at me as I took my seat, until I realised she was French and therefore couldn't help it - was showing a WAG her new Christmas stock. The husband looked perfectly normal, ordinary in fact, tapping on his iPhone, but the wife's hair was too white-blonde, her heels were too high, her tits were too big.
I paid up for my sandwich and tea. It was chicken and pesto, so I wanted something a little minty to take the taste away; there were tins at the checkout but they were £2.50 for a tiny box so I veered away sharpish. I ended up buying a packet of Softmints on the way back to the station.
Alderley Edge is the glistening jewel of the Golden Triangle, its Fort Knox. Alderley Edge is full of nouveau riche, tans and necklaces and short skirts and tight trousers. Alderley Edge is restaurants and estate agents and nightclubs; Alderley Edge got a reality show on MTV about its glowing residents; Alderley Edge was the home of the Beckhams when they were only semi-legendary.
Given all this, I expected its station to be beautiful and scenic. I forgot that people from Alderley Edge don't take public transport.
The pre-formed concrete awnings that were unloved. The blocky footbridge. The closed ticket office. It was scruffy and uncared for. The land around it had been sold off for redevelopment, leaving it hemmed in by flats and shops.
The presence of a station probably adds 5% to the house prices, but no-one uses it. There's nowhere to park your Jag for starters, and everyone knows that cabbing it is infinitely preferable.
I trekked up to the road, the only person to alight, and got my sign picture.
It was laid out in front of me: the village hub. Like Hollyoaks, but not as common; you wouldn't get far with a Scouse accent here.
I turned away. I didn't want to wander round the glitzy village centre with my sweaty, in need of a cut hair, and my grey anorak, and my cheap fifteen quid backpack. I'd lower the tone.
Instead I headed for the Wilmslow Road. I found a gem out there - Aldeli; another delicatessen, yes, but housed in a giant 1950s glass building. It looked like it had once been a car showroom - there was a Texaco garage right next door - but it looked like an alien spacecraft, landing on the Cheshire Plain to deliver Klaatu on his peace mission. It was brilliant, and if I hadn't stuffed myself already in Chelford, I'd have gone straight in.
There were more dining places as I carried on out of town; a shuttered up pub next to a restaurant/hotel next to a luxury dinner experience. I'm always baffled by these out of town nightclubs that footballers seem to frequent; if you're earning £30,000 a week, I suppose you don't mind paying for a taxi to get you there and back, but what about everyone else? And they always look awful; terrible music and overzealous bouncers and expensive drinks. I suppose that you're going there to try and hook up, or to be seen with the beautiful people. You're not there for a good night out.
A bypass took away most of the traffic between Wilmslow and Alderley Edge a few years ago, so there's now an underused dual carriageway connecting the towns. Lining the road are the kind of expensive villas bought by people who want the postcode but can't afford the really good houses.
I passed Phillip Alexander, bespoke tailor (two branches: one in Wilmslow and one in Saville Row, which tells you all you need to know about the area) and arrived in the town properly. I'd prepared for the visit by reading Miranda Sawyer's wonderful Park and Ride: Adventures in Suburbia. She grew up in the area in the Seventies and Eighties, and paints a vivid picture of the town and its pretensions. At one point, it even had its own credit card, the Wilmslow Card.
Sawyer's book was published in 1999, and even then she was shocked by its relentless upscale climb, with a bistro in the sports shop and an empty store by the old cinema turned into a gastropub. I'd love to know what she thinks of it now, because as far as I could see, there was nothing but eateries, night clubs and pubs. I don't know what the residents of Wilmslow do when they run out of Cif. There was a department store, Hoopers, which has only four branches nationwide: Torquay, Harrogate, Tunbridge Wells and Wilmslow, and so I didn't dare go in because I was afraid they'd smell my working class origins and have me gutted for the pate in the restaurant.
The only other kind of business in Wilmslow was home interiors. There were furniture shops and lighting shops and designer tile stores and so, so many kitchen shops. How many kitchens do people need? Even the most luxurious mansion usually has only one kitchen. You don't have en-suite ovens, or loft conversions so you have more room for a walk-in larder. There must be people who change their kitchen on a semi-annual basis, because I can't work out how all these firms can survive otherwise. I guess if they get one person to pay £300,000 for new taps then that pays their mortgage for a year and they don't need any other clients.
I will concede that Wilmslow seemed like a very nice town, and it was certainly pleasing to find one corner of the country where there weren't boarded up shop fronts and Cash Converters. It should be noted that the local MP is George Osborne; these two facts may be related. I wouldn't want to live here - I couldn't afford to live here - because even though it was busy and thriving there was a certain death behind the eyes. People spending money without joy. Wilmslow felt like a weirdly upscale ghost town, where the same figures shuffled from one store to a restaurant to a pub and then on again, repeating the cycle, doomed to go round and round without ever really enjoying themselves. I felt that Wilmslow would be best as I'd experienced it, as a day visitor, passing through and thinking it was decent enough before going home; it seemed like a very small world to live in.
The influx of day trippers probably explained why Wilmslow station was in a much better state than Alderley Edge. It was neat and well kept - Northern Rail had clearly thrown some money at it quite recently. I headed up to the platform to wait for the Manchester-bound train, passing a woman who dripped fabulous en route, conducting a heated conversation on her smartphone beneath a mighty hairstyle.
Up top, there were four well appointed platforms, one of which was surprisingly busy. There was what looked like a group of outdoor-bound students, some well-to-do couples. They were waiting for the Virgin train to London, which pauses here on the way from Manchester. Most importantly, as far as I was concerned, there was TV's Les Dennis.
I actually have a sneaking fondness for Les Dennis. He's the kind of old style trouper we don't seem to have any more - king of the Saturday night variety show, and easily the best host Family Fortunes has ever had (yes, even better than Bob). His breakdown on Celebrity Big Brother and his self-parodic appearance on Extras just added to the appeal. Plus it's hard not to like someone who emerged alive from the wreckage of Amanda Holden. He was keeping his distance from a man who was - let's just say "merry", shall we? - and who was shouting what a great guy Les was. Which he is, but I'm sure he'd have preferred to be anonymous. I certainly didn't attract his attention, taking a photo from the opposite track while looking the other way. Which sounds creepy, now that I think about it.
And that's why I will never be comfortable in the world of the rich and famous. I couldn't wait for the train to arrive and take me back to where people were normal and ordinary and dull. Just like me.
Tuesday, 12 November 2013
Sunday, 10 November 2013
Adventures in Space and Time
It's a curiously satisfying word, Sandbach. Try saying it out loud. Sandbach. The short "a" in sand, the soft "ch" at the end. There's something almost Welsh about it.
While the town of Sandbach is a pretty medieval market town, complete with a Saxon cross and tiny squares, the station is flung out on the A533, almost out of town. If it was being built today, this would be a park and ride station, but back in Victorian times it was simply a case of sticking a station wherever the line happened to pass by.
It's an ugly 1960s building that's been built mainly for the convenience of the staff than the passengers. Half of the building is devoted to Network Rail accommodation, with misted out windows, while the ticket office has the kind of opening hours that can only be divined through consultation of the runes. Indeed, I skipped passing through it altogether, getting into the station through a side gate.
There must have been problems on the line during the rush hour that were only now settling down. The fast train to Manchester had been delayed by ten minutes, and a GBRf freight train was being held at the side platform to let the passenger services by. It clicked and grunted impatiently, dying to plough onwards, like a bull in its pen.
Fortunately the fast train just skipped the smallest stations; it still called at my next stop, Holmes Chapel.
The buildings here were even shabbier than at Sandbach, barely more than prefabs. The blue and white Northern Rail branding gave them a mock-Tudor appearance, even more pointless stuck on a box by the side of a train track.
I walked up and over the railway bridge behind a woman with a pink rolly suitcase. She wasn't walking very fast, and because I kept stopping to take pictures, I never actually overtook her. I think it started to make her nervous, because finally she stopped on the street corner and fiddled with her case until I passed.
I like the clarification on that sign that it's Furniture FOR HOMES, just in case you was trying to buy an oak four poster for your hamster.
I decided to take the more direct route to my next station, Goostrey, which meant leaving Holmes Chapel and walking down an industrial road. Ordnance Survey had this area marked as Works, but it was clearly in need of updating. One set of factories on the map was now being turned into a housing estate, with a new roundabout for access and scaffolding poking over the top of advertising boards. The others had been joined by small red office buildings for tiny businesses. Where the factories had ceased to be useful they'd been obliterated, ready for redevelopment into more houses.
That little expanse of bare concrete was still signposted as Royal Mail. [NOTE TO SELF: insert News Quiz-esque witty satirical comment about the destruction of the postal service here].
After a while the industry stopped as well, and past a couple of houses that were very keen to tell you they were on a Private Road, I was out on a pavement-free country route. It was a national speed limit area so there was a constant burr of fast moving traffic, but the grass verge was generous and not too overgrown so I didn't have to risk walking in the road. There were a couple of hairy moments as I swung round chevron signs just as a truck appeared round the corner but beyond that the only danger was soggy socks from the dewy grass.
On my left the Twemlow Viaduct suddenly appeared, 30 metre high brick arches that carried the railway over the river Dane. Down on the ground this epic piece of engineering seemed completely unnecessary - I could probably have jumped the river myself with a decent running start - but it underlined the Victorian attitude to railway building. They could have had the railway come down into the valley, then a little bridge, but it was better for the trains if a huge viaduct was simply built across the whole thing, so they did that. Always ambitious.
I bet Her Majesty was deeply touched by that beautiful, heartfelt tribute to her Jubilee year.
I skirted the edge of the village, passing sodden fields churned up by tractors and trees stripped bare of leaves and fruit. Occasionally the road would be shaded completely, and out of the morning sun, I felt the sudden chill of November sneaking through.
I turned left by a rusting red telephone box for the last half mile to Goostrey station. For a while it was just more late Autumn English countryside, then a vision of the future rose up out of the trees.
The Lovell Telescope at Jodrell Bank is still the third largest movable radio telescope in the world; it was number one when it was built. I loved space exploration as a child and so just the name Jodrell Bank carries with it an air of mystique, of probing the unknown and the unknowable (it's also a comedy euphemism for masturbation - another reason to cherish it). Its position out here in the Cheshire countryside, right by the railway line, speaks of a very practical, unglamorous attitude to space and exploration. Jodrell Bank exists in the same canon as Doctor Who and Quatermass and 2000 AD; fantastical stories of science fiction that exist in the mundane. Only the British would create a tv show about a cantankerous pacifist in a time traveling call box that didn't work properly; only the British would take its window to the stars and stick it in the parish of Lower Withington. We always keep one foot on the ground, even as we look up at the heavens.
The telescope remained a companion to me as I progressed. A couple of healthy looking women in lycra jogged past, carrying in a conversation even as they burned up the calories, and then Goostrey station was there, crouched under a mound of a railway bridge.
Goostrey looked like it hadn't been touched in years, which surprised me. No starry murals? No glow in the dark moon transfers? Not even an ALF saying Alight here for Jodrell Bank? There was a bit of a car park, but nothing advertising its proximity to the telescopes. In fact, there was still a British Rail sign, right above a British Telecom phone box, which made me wonder if I was experiencing a time slip back to the 1980s and a Tripod was going to come crashing over the treetops.
Still, it was prettier than the previous stations, with the air of a country halt about it. The building was firmly locked and padlocked: a neat sign on the door said If you require access to this room, please contact any of the following numbers for the combination, and then a list of people from the Friends of Goostrey Station. I was tempted to call up and say "I just fancy having a nose - what's the combination?" but I didn't. In fact, I struggled to think of what you would want access to the room for - there was a shelter on the platform, so if it was raining, you was safe. Perhaps you can hire it for weddings and bar mitzvahs.
It was just a brief little skip to my next station, Chelford. It's a bit in the middle of nowhere, Chelford, so I'd pencilled it in as a rest stop, rather than walking on to the next stop. Plus it was lunchtime, and my stomach was starting to rumble.
I left the 1980s brick building and went in search of somewhere to eat. There was a butchers, and a branch of the NatWest; a man had fallen down outside the greengrocers and a small crowd was gathered to attend to him. I'm afraid I didn't stop to help. I could hear someone was already on the phone to the ambulance, and there was a woman on her knees attending to him, and a couple of people who were just watching. I didn't have anything to contribute; I got a First Aid badge in the Cubs, but that was twenty odd years ago - I'd probably break his hip as I tried to manhandle him into the recovery position ("yes, I'm positive you're meant to have your left foot behind your ear"). It didn't stop me from feeling guilty for the rest of the afternoon.
I passed Chelford Farm Supplies, which seemed to cater more for horse riders looking for tackle and Barbour jackets than pig feed, and then wandered out towards the Egerton Arms, on the edge of the village. I just fancied a pint and a sandwich, but it was a gastropub, with the emphasis more heavily on the "gastro" part. Every table had a long menu and knives and forks, and it was buzzing with customers and waitresses.
Instead I slipped next door, to Jones Deli, where I found a whitewashed table by the window and ordered a chicken and pesto sandwich and tea for one. Yes, that's right; I passed up alcohol in favour of tea. I must be losing my touch.
Saturday, 9 November 2013
Exorcism
Fair warning: there's nothing about trains in this entry. In fact, there's not much to do with the blog in it at all. I'll be back to normal with the next entry.
Blaming Crewe for my mental collapse is cruel and unnecessary and not even true; in retrospect, I realise that I'd been showing signs of depression before I ever started working there. It's just that working in Crewe coincided with the worst period of my life, ever, and it's hard to break free from those feelings even when you haven't been back for years.
I left the station and walked into town in a deliberate attempt to exorcise some of my demons. I deliberately took the route to my office I always did, walked the same way and at the same speed, so that I could both spot the changes and lay some of the ghosts to rest.
Five years ago I started work at what was then Crewe and Nantwich Borough Council. I'd worked at Chester City Council before then, and I'd reached the stage where I'd pretty much done everything I was ever going to do, while above me were a couple of managers who showed no sign of leaving and letting me take over their job. An opportunity came up at Crewe, and I took it; the money was only a little better, and would be cancelled out by the additional travel costs, but it was more responsibility and a different challenge.
Each morning I took the London Midland train to Crewe, crossed the busy road outside, and headed through the backstreets to get to my office in town. I'd passed my driving test not long before, and I had my own car, but it just didn't appeal. I drove a few times and found it boring and over stressful. Why would I do that when I could sit on a train, listening to music and reading a book?
In 2013, little had changed. The British Transport Police had gained a cycle rack in their car park, and the signage for the station car park was a bit clearer. The house on the corner had lost its enormous satellite dish, replaced with a standard Sky one. I remembered ducking through the car parks, learning of little short cuts as time went on, as I passed the block of flats and headed for a little back alley.
They still haven't built on what used to be a supermarket. Elsewhere, former Kwik Saves were turned into Co-ops and Lidls; in Crewe, they levelled it and left the concrete base to fester. I used to cut across there, but on icy cold days it was lethal, and now I'm older and more cowardly I didn't risk it and wandered down the main road by Wickes.
I began to feel the familiar tightness in my throat and eyes. This was usually where The Fear would set in. There's a little patch of green here, and I remembered, so clearly, crossing it day after day in floods of tears. Stopping in the middle of the grass just to cry. Unable to walk or even move because every muscle in me seemed filled with despair.
People often think that depression is about feeling "sad" all the time. Like you wake in the morning feeling miserable and it never gets better. For me, it was more about feeling nothing. I had a hole at the centre of me that didn't care about anything. Joy, misery, hatred - they were emotions that I couldn't grasp. And now and then my body, for some reason, just went mad and made me cry, like it was trying to do ALL the emotions at once and didn't know how to process them, and then I felt worse than I'd ever felt or ever would feel.
The cane furniture shop on the corner had gone, finally; the signs were still there but the shop was empty. I passed under the Chester line, where the road dipped down and filled with water (avoid between autumn and spring as lorry drivers thought it was hilarious to try and splash you) and crossed the bypass to the misleadingly-titled High Street.
It's a strip of vacant offices, abandoned cinemas and closed takeaways. There's a nightclub, which may or may not have been open - it was hard to tell - and Manhattans, "Crewe's Gentleman's Club" was still there. They'd taken down the signs advertising the on-site jacuzzi. Every time I saw it I felt nauseated, imagining the petri dish of bodily fluids that must have swilled around amongst the bored Eastern European hookers and overweight businessmen.
This was usually the point where I'd try to gather myself together for another day at work. Take a deep breath and wipe my face and blow my nose. Steel myself.
The job had turned out to be terrible, you see. I was on the sixth floor of a manky office block among a bunch of people who were either counting their days until they could take early retirement or redundancy, or simply didn't care. My "extra responsibilities" seemed to be all the jobs everyone else hated; my immediate supervisor was clearly resentful of me, and thought I was after her job, but she parlayed that fear into passive agressive sniping at me rather than, you know, being any good at what she was doing. There was one girl there, Emma, who was brilliant, and lovely, and who was a rare ray of intelligence and humour, but she was just as put upon and was too nice to say no.
I was on a desk at the back of the office, by the paper files they refused to get rid of "just in case" and the carbon paper, which they actually used. In the twenty first century, they were using carbon paper, and no-one thought it was unusual. There wasn't any air conditioning. and nobody opened the windows because we were on the sixth floor and so it might get a bit breezy. It got a bit sunny as well, so they closed all the blinds too, leaving us in a hot, artificially lit square. One day I caught a glimpse of Jodrell Bank in the distance through a gap in the blinds, and I expressed surprise and delight; the reaction in the rest of the office was 50% "so?" and 50% "what's Jodrell Bank?".
You needed to pick up a key on a bit of wood to use the loo, which was embarrassing at first, but soon became my saviour. I'd disappear into the cubicle and sob and wail. I'd lean my head against the rough woodchip, because the pain of its raw surface against my skull was a welcome distraction from the hole inside me. I had other distraction techniques too, that I'd employ throughout the day - biting my lip until it bled, ramming my fingernails into the palm of my hand until they left tiny purple crescents behind. Sometimes I'd stand on the staircase landing and look at the window and fantasise about just ramming my head through the glass. One good crack, I thought, one strong hit, and I'd go straight through and out the window and hit the ground below and that'd be it. All done.
Then I'd think of the poor person who'd find me, and the policemen and ambulance men who'd have to scrape up my pummeled remains, and I'd go back to my desk for a bit longer.
Sometimes, as a treat, I'd buy myself a latte from Costa or a McDonald's breakfast on the way in. My colleagues treated this indulgence with puzzlement - "but we've got a kettle here?". I would just find a refuge in the bacon McMuffin or the hot chocolate with marshmallows served by a cheery barista with holes in his ears.
Crewe isn't a pretty town centre. It's got some nice 1950s buildings which are sadly a bit worse for wear, and it shows the effects of the recession worse than most. A big Asda misdirects the foot traffic, and the BHS must be one of the most depressing department stores in the world - three entrances but really, no way out. I used to go to M&S for my lunchtime sandwich then wander slowly back to my desk to eat it - there was nowhere you'd really want to loiter.
One day, finally, it all got too much for me. I woke up in the morning and I couldn't leave the house. I cried and sobbed and crouched in a corner, unable to move, terrified of nothing and everything, filled with self-loathing and scared. The BF - who, I should say, did his very best to support me through all of this, and has done ever since - held me and phoned in sick on my behalf. And that was it. I never went back. After a few months of sick leave, an opportunity for redundancy came up, and I took it.
This was the first time I'd been back to Crewe town centre since then. I was surprised by how well I'd coped. I'm a lot better these days - the bad times are a rare occurrence now, rather than the daily hell they used to be - and so the places where I'd been bad were sepia toned and fractured. They were a film that had been made in the same location, but now I was seeing without the dramatic Hollywood lighting and special effects.
I went to the bus station. Even by the low standards of municipal transport hubs, it's a shit hole. Just horrible. Painted in Arriva turquoise, with no facilities, little information, and cold wooden benches to sit on. There was talk of it being redeveloped at some point, but of course it never happened.
I'm glad I went back to Crewe and closed the book. I'm equally glad I'll never have to go back again.
Friday, 8 November 2013
Trains To All Destinations
I'd always felt a bit guilty about Crewe railway station. I hadn't given it the attention it deserved. I collected it way back in September 2007, back when the purpose of this blog was just to visit the Northern and Wirral lines on Merseyrail. (Insert sound of hollow laughter here). I was passing through Crewe on the way to a work's training thing in Manchester and I thought, "wouldn't it be hilarious if I took my picture in front of the Crewe sign?"
So I marked my territory but that was it; I didn't give this icon of rail history the attention it deserved. It is an icon. Crewe is a magic name among passengers. It's the gateway to the North for many. There are thousands of displaced Northerners heading home to Manchester and Liverpool and Preston for Christmas who see the sign at Crewe and smile - "nearly home". It's got almost totemic status.
The reason for its significance is its location. Crewe station was built over the top of a junction. It's the point where the line from London to the north is joined by four other lines, forming a six-pointed asterisk that's still clearly visible today.
The station lies on the shared part of track between the six branches, making Crewe the place to change trains for millions of passengers from all points of the country. Trains to and from London, Birmingham, Glasgow, Manchester, Liverpool - they all passed through here.
When it was built, however, Crewe station was serving no-one except transferring passengers. This was simply a load of Cheshire countryside in the mid 1800s - even the name, Crewe, was simply picked because the land was bought off the Earl of the same name. There wasn't actually a town called Crewe. That came much later, when the railway works at Edge Hill in Liverpool were transferred here and a town was built for the workers. The new town took its name from the station, which is why the centre is a mile away from its most famous feature.
The sad part is that dislocation between town and station has resulted in a less than perfect building. Most boroughs took an interest and a pride in their principal railway entrance. Cities and railway companies competed to have the grandest, most majestic way into their civic centre. Crewe station was sort of cobbled together. New platforms were built as and when needed. The entrance was via a little building on a road bridge. Few people came to Crewe (the station) to visit Crewe (the town); they mostly stayed down in the station area, so the local authorities didn't really concern themselves with it.
Today, Crewe is shabby and unloved. It was voted one of the worst stations in Britain, and Network Rail even proposed demolishing it and building a brand new one somewhere else. Electrification and technology mean that trains can run faster for longer, so they don't need to stop here any more; the "hub" stations have also shifted, to places like Leeds and Birmingham, places that - to put it bluntly - people actually want to visit.
British Rail took some of the platforms out of commission in the eighties, and it feels like the station's still stuck there, for all the grey and red Virgin branding. It's when the new ticket office was built on the road bridge - all red steel and smoked glass, and horribly impractical; there's nowhere for buses to stop outside, hardly any drop off spaces, and a constant stream of traffic blocking the way. While other major stations feel more like shopping malls with a few trains attached, Crewe can still only offer up WH Smith, Upper Crust and a dismal pub. The captive market - bored people with half an hour to kill between trains - are completely untapped.
Things have improved slightly. After their plans to relocate the station were rejected Network Rail and Virgin (who manage the station) fixed the roof and did a bit of a repaint. A first class lounge was built on the overbridge, and a couple of little coffee kiosks opened. Meanwhile, Cheshire East Council have started building a new entrance on the site of the old Royal Mail depot. The new entrance will feed straight into a refurbished underpass, and will have parking and a relocated taxi rank outside. Tiny steps, but it's something.
Sadly I think Crewe's glory days are gone. It'll always have a place in the nation's affections - there was much wailing when Virgin changed its service from Liverpool so that trains no longer stopped here - but it's no longer the centre of a railway universe. Perhaps HS2 will give it a boost.
I wandered around to platform 12 to create a companion piece to my 2007 shot. Much like the station, we've both aged, and our best days are behind us. Maybe I should ask Cheshire East to give me a refurb while they're at it.
So I marked my territory but that was it; I didn't give this icon of rail history the attention it deserved. It is an icon. Crewe is a magic name among passengers. It's the gateway to the North for many. There are thousands of displaced Northerners heading home to Manchester and Liverpool and Preston for Christmas who see the sign at Crewe and smile - "nearly home". It's got almost totemic status.
The reason for its significance is its location. Crewe station was built over the top of a junction. It's the point where the line from London to the north is joined by four other lines, forming a six-pointed asterisk that's still clearly visible today.
![]() |
| Image from Google Maps. |
The station lies on the shared part of track between the six branches, making Crewe the place to change trains for millions of passengers from all points of the country. Trains to and from London, Birmingham, Glasgow, Manchester, Liverpool - they all passed through here.
When it was built, however, Crewe station was serving no-one except transferring passengers. This was simply a load of Cheshire countryside in the mid 1800s - even the name, Crewe, was simply picked because the land was bought off the Earl of the same name. There wasn't actually a town called Crewe. That came much later, when the railway works at Edge Hill in Liverpool were transferred here and a town was built for the workers. The new town took its name from the station, which is why the centre is a mile away from its most famous feature.
The sad part is that dislocation between town and station has resulted in a less than perfect building. Most boroughs took an interest and a pride in their principal railway entrance. Cities and railway companies competed to have the grandest, most majestic way into their civic centre. Crewe station was sort of cobbled together. New platforms were built as and when needed. The entrance was via a little building on a road bridge. Few people came to Crewe (the station) to visit Crewe (the town); they mostly stayed down in the station area, so the local authorities didn't really concern themselves with it.
Today, Crewe is shabby and unloved. It was voted one of the worst stations in Britain, and Network Rail even proposed demolishing it and building a brand new one somewhere else. Electrification and technology mean that trains can run faster for longer, so they don't need to stop here any more; the "hub" stations have also shifted, to places like Leeds and Birmingham, places that - to put it bluntly - people actually want to visit.
British Rail took some of the platforms out of commission in the eighties, and it feels like the station's still stuck there, for all the grey and red Virgin branding. It's when the new ticket office was built on the road bridge - all red steel and smoked glass, and horribly impractical; there's nowhere for buses to stop outside, hardly any drop off spaces, and a constant stream of traffic blocking the way. While other major stations feel more like shopping malls with a few trains attached, Crewe can still only offer up WH Smith, Upper Crust and a dismal pub. The captive market - bored people with half an hour to kill between trains - are completely untapped.
Things have improved slightly. After their plans to relocate the station were rejected Network Rail and Virgin (who manage the station) fixed the roof and did a bit of a repaint. A first class lounge was built on the overbridge, and a couple of little coffee kiosks opened. Meanwhile, Cheshire East Council have started building a new entrance on the site of the old Royal Mail depot. The new entrance will feed straight into a refurbished underpass, and will have parking and a relocated taxi rank outside. Tiny steps, but it's something.
Sadly I think Crewe's glory days are gone. It'll always have a place in the nation's affections - there was much wailing when Virgin changed its service from Liverpool so that trains no longer stopped here - but it's no longer the centre of a railway universe. Perhaps HS2 will give it a boost.
I wandered around to platform 12 to create a companion piece to my 2007 shot. Much like the station, we've both aged, and our best days are behind us. Maybe I should ask Cheshire East to give me a refurb while they're at it.
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