"I hope it wasn't anything vital," I replied.
The bypass curled round the back of RAF Cosford; through the wire fence I saw the service homes, uniform, identical. There was a ginger cat in the long grass but he ignored my psss-psss-psss noises; he was focussed on something, and I think it was about to die. At the crossroads I turned to walk on the public road that ran between the two halves of the airbase.
I was doing nothing illegal, of course. This was a through route for pedestrians and drivers. Nonetheless, I felt I had to hurry on. I didn't feel comfortable loitering, as though an MP would come out on a jeep and shoot me in the chin as a possible terrorist. ("I thought he was wearing a suicide belt, your honour, but when we examined the corpse it turned out he was just a fat bastard.")
I walked past the railway station because I was headed for a museum. RAF Cosford is home to the midlands branch of the RAF Museum, and I thought I'd visit since I was in the area. It's not really been built for walkers. The assumption is clearly that you'll drive, which is why the route from the station is a long straight road with no pavement.
Drivers beware, however. The museum is free, and they're very proud of that fact, but parking is seven pounds fifty. That is, quite frankly, taking the mick. I strolled past the ticket machine feeling a little smug that they wouldn't be getting any of my cash that day.
The museum is spread across a campus of vast hangars filled with aircraft. It's a little overwhelming when you first walk in; the sight of these huge machines stacked on one another, springing out of the floor and the ceiling.
I'm not a plane nerd. I can appreciate them as pieces of machinery, and I wouldn't fancy travelling to America without one, but they don't trigger the synapses in me. My best friend at primary school, Mark, was very much into aeroplanes, and for one of his birthdays we went to the Shuttleworth Collection in Biggleswade (I thought it was very funny that it was in Biggleswade; he was entirely unbothered). He wandered from aircraft to aircraft in raptures and I nodded and smiled. It was alright, I suppose, and it was nice to have a day out, but I never felt the urge to go back.
The museum's greatest asset is its Cold War exhibition, which covers the period from the end of the Second World War to the early 90s, when all tensions ceased and the world became universally peaceful. It's a sort of "here's all the things that could have killed you" exhibition, with a heavy emphasis on the many weapons of mass destruction the world powers pointed at one another.
There's something intensely sobering about looking at a device, then turning to the information board and learning it was a Polaris missile. Being a child of the 80s, nuclear destruction was one of those things that registered at the back of my head as a constant possibility. I couldn't really think about it because down that way madness lay, but it was always there; Sue Lawley talking about the latest US-USSR summit, images of Greenham Common and the Berlin Wall, grimy footage of vehicles being driven by the camera with their payloads badly hidden by tarpaulins.
On the other hand, I thought a nuclear holocaust would be thrilling. This is entirely the fault of the James Bond films. where every other movie included an atomic device. I was delighted to see a Vulcan bomber have pride of place, the same aircraft that is stolen with two nuclear missiles in Thunderball; looking at its payload I couldn't see the words Handle like Eggs printed on the bombs, which was disappointing.
We live in dangerous times. As I type, the Middle East is a powder keg, a mess of tit for tat airstrikes mobilised by leaders with varying degrees of sanity. Russia and Ukraine continue to war with one another, and the threat of terrorism never goes away. At least in the Cold War you knew who the enemy was - it was the people behind the Iron Curtain. Now it could be anyone, anywhere. When the Berlin Wall fell it smashed the world into a thousand different pieces, all of whom seem to hate one another.
I had a wander round the museum shop, which was very much aimed at people for who aeroplanes were a very big deal. There was a lot of Airfix and historical books with titles like Operation Kandy Heart and The Fulbright Offensive. (I've made those up, but you totally believed they could be real, didn't you?). And look, I know Lenin is a demonised figure to many, and capitalism won out over communism in the end, but making him the symbol of the shop and putting a bag in his hand is just disrespectful.
I was dropped into the very heart of Shifnal. Sometimes you go to a town and it's like stepping into the past. The UK is a very historic nation and you can't wander down a High Street without encountering some half-timbered pub or hotel where Queen Anne stayed or a Georgian terrace. It's easy to convince yourself that you've time travelled.
Shifnal, though, felt like a town from a much more recent past. The Seventies and Eighties, to be precise. Something about its scruffy, sort-of tidied up main drag echoed with my childhood. The shops were ordinary, plain, not glistening with neon and LED screens. There were hardware stores and hairdressers and chemists and it all seemed small and contained. A town that knew itself and was contented.
I am, for example, obsessed with this shop, which looks like it was set up by Mr Rumbold after he retired from Grace Brothers. Its stock was very much of the comfy slacks and neat sweater variety, and I wondered what will happen to it when its clientele die off and are replaced by men who wear jeans and hoodies. Will it change or will it die?
There was a more historic Shifnal, but even that seemed to come with a slice of Princess Di-era goodness; one old building was a wine bar/bistro. It reminded me of that mad plotline in Eighties EastEnders where Kathy ran a wine bar out of the cafe in the evenings, as though you'd ever get the smell of grease and chip fat out of the walls of that place. "Bistro" has fallen out of favour, but "wine bar" has fallen even further.
I walked up and down the main street, looking in shop windows and trying to earwig on interesting conversations. A sticker on the traffic light control box encouraged me to read The Light Paper; this turns out to be a remarkable source for every conspiracy theory you could possibly want, and some you didn't know you needed. It had David Icke as an advertiser, for pity's sake, plugging his newest tour and sadly not those shell suits he used to wear that he reckoned gave him positive energy. Being one of the lizard people illuminati, I of course dismissed it all as insane nonsense, but you may not be as much of a sucker for the MSM's agenda as me.
Fortunately I had a pint of beer to help me forget the reams of bollocks I'd accidentally consumed. That one pint turned into a second, until finally I rolled out of the pub and back to that long corridor for my train home.