Monday, 20 May 2013

Liverpool Central. Wednesday, 15th May. 7:20 pm.


All stations have an ebb and flow.  Passenger levels go up and down.  West Kirby is a lot busier on a sunny Sunday afternoon than a November weekday.  Hardly anyone ventures outside Sandhills' platforms for most of the week, until a football Saturday, when there are suddenly thousands pouring out the doors.

Britain's busiest underground station outside London is rarely quiet, but it does have its moments of calm.  Midweek, after the workers have gone home, before the revellers come out, there's a pause; the moment where tides turn and the waves are stilled.  The wide concourse, still clean and modern after its refurb, is empty.

There's a slap of flat shoes on the marble effect flooring and a group of middle-aged ladies come running through, coats flapping, clutching at their skirts to try and stop their hemlines from rising up.  The one at the back of the group has got overexcited from the thrill of the run for the train.  "Carol!" she bellows, too loudly, too prominently.  "Carol!"  And she giggles as they reach the ticket gates, even as her friends are shushing her.  They disappear down to the Northern Line but not before one more "Carol!".

Dotted around the edge are the waiters, the people loitering with intent, meeting friends, killing time until they have to be somewhere.  A girl in a sensible brown overcoat, big handbag, tapping at her mobile phone but glancing up at the ticket gates expectantly between keystrokes.  A student in shorts and a hoodie sat on the row of metal seats.  He's rocking back and forth, earbuds jammed in, eyes staring fixedly ahead.  Mindlessly killing time.

Beneath our feet a train rumbles in.  They're so close to the surface here; a firm kick downwards and you could make a hole in the floor to watch them pass.  The metal seats shudder under us, then a sigh of brakes and another set of passengers are disgorged.  Hefty men, no coats, good jumpers bought by wives, rubbing their hands together as they debate which pub to start their evening in.  A smart couple, he in a camel coat, her with trim hair and red lips, striding confidently out for the dinner date.  A gaggle of well-to-do old ladies off for a night at the theatre, chattering excitedly like children, a fog of flowery scent hanging around them.

This is the start of their night, but there are still people heading home; a guy with a man bag who's treated himself to a bag of chips after his day at the office, a young girl with thick rimmed spectacles who yawns as she waves her Trio at the guard.  A wizard strides in, six feet tall and resplendent in a long black overcoat and wide-brimmed hat.  His wife fizzes around him, a little ball of nervous energy, wearing a cape and panicking about their train.  They disappear into the MtoGo for their ticket; she dashes back out, almost running to the gates, but he's icy calm, taking giant strides and keeping pace with her.  The gate beeps twice as it burps their ticket out, the clatter as they pass through.

Underneath it all is the soft waterfall roll of the escalators.  A constant steady rhythm of movement.  The Selecta vending machine springs into life; a robotic arm scans the twirled shelves, surveying the Twixes and KitKats before stowing itself back in the hold.  The walkie-talkie of one of the Merseyrail staff parps out a sentence of fractured incomprehensible static; "Yeah.  Okay."

The students' mates have arrived, all of them dressed for football, a quartet of long shorts and lumpy sweatshirts.  They bond awkwardly, not quite bumping fists, but clearly ready to do so if the moment should arise.  His seat is taken by a trim lady with highlighted hair and a battered romantic saga.  She folds it back, cracking the spine for the fiftieth time, and begins to read.

Another train comes in, another group of excitement and fun.  A girl with two hula-hoops over her arm, black and gold; she wanders over to the cash machine and gets some money out, shifting the hoops round her body as though they're just a very large handbag.  The bouncing stride of a man with dreadlocks down to his waist, enjoying the rhythm of whatever is streaming into his headphones, walking a tricked out bike through the station.  The lady with highlights gets up and positions herself in front of the gates - the stream of passengers break around her like an island.  A woman of much the same age and much the same haircut is at the back of the crowd.  The two of them grin at one another, then kiss, then walk out of the station close to one another, sisters reunited in gossip and chatter.

Then it's quiet again, just the noise of the escalator, just the whistle of a staff member counting the minutes until the end of his shift, just the shuffle of feet of someone waiting for his friend.  Ebb and flow.

Friday, 10 May 2013

Map! Rant: The Map With The Hole

Back in the early days of this blog, I used to bitch about the Merseyrail map.  The reason was simple - they changed it, and made it awful, and I hated it.

Then I met the man who designed it at a party and I felt a bit guilty so I went quiet.

It didn't stop me hating it though.  I'd still look at it hopefully now and then as I waited on the platform.  I thought they might improve it.  They didn't.

The map's had a bit of a hammering of late, with enormous explanatory boxes all over it to explain which underground stations are closed for refurbishment.  That's fine.  It's a necessary evil.

I cannot, however, forgive the latest version of the map.


What's so bad about it, you ask?  COMPUTER: ZOOM AND ENHANCE.


Central's not there any more.  I mean, there's a big label where it should be, and the lines cross as they should, but someone's forgot to add the circle back on.

This is shoddy, shoddy work, and I'm shocked that no-one at Rail House noticed it.  They were all so busy concentrating on the fact that Lime Street is now in a green box that they didn't notice Central had disappeared.  Since Liverpool Central is the station nearest to Lime Street for Wirral Line users, it might be handy if there was some indication that it was open to passengers.  I took this photo on the Moorfields platform but I presume it's also up in Lime Street Mainline.  If you've arrived on a train, hoping to get to Chester, would you believe there was a station at Central?  (It could, after all, just indicate that this is the "central" part of the city).

Unless this is a deliberate fox to try and get everyone who would have used the always-busy Central to use Moorfields instead.  In which case, why not go the whole hog and leave it off the map completely?  Perhaps turn the loop (/SQUARE) into just a little green line between Moorfields and James Street.

It's just poor, Merseyrail.

And I haven't even mentioned the fact that they could have got rid of Lime Street's circle on the Wirral Line.  Indicate that there is no longer an interchange.  I managed to do that with MS Paint 18 months ago.  Presumably they have access to Corel Draw and Photoshop and those whizzy tablets with the little styluses.


Tell you what, Merseyrail: you can print that off and use it as a sticker on all the maps you've already printed off.  YOU'RE WELCOME.

Monday, 6 May 2013

Epilogue: Stat Attack!

This is my very last post about the Cumbrian Coast Line, I promise.  Once I've done this I shall file it away and never speak of it again.  We can go back to obscure stations in the back streets of Manchester and knob gags.

**************

THE CUMBRIAN COAST LINE IN BULLET POINTS


Number of stations visited: 34
Distance travelled by rail: 489 miles
Distance travelled by bus: 24 miles
Distance walked: 21 miles
Distance driven by a press-ganged boyfriend: 8 miles

Best station (architecturally): Grange-over-Sands
Best station (facilities): Millom
Best station (location): Nethertown

Worst station (architecturally): Nethertown 
Worst station (facilities): Roose
Worst station (location): Dalston

Places I'd visit again tomorrow: Ulverston, Barrow-in-Furness, Whitehaven
Places I'd go back to if I had nothing better to do: Ravenglass, Millom, Wigton
Places it would require an Act of Parliament to get me to revisit: Parton, Seascale, Parton again

Most overpriced cup of tea: At Home Cafe & Bistro, Grange-over-Sands
Best member of staff: the lady behind the counter in Humble Pie in Askam
Worst member of staff: the employees of Barrow Travelodge
Best place for hearing old ladies bitch about That Jennifer: Annabell's Tea Room & Cakes, Maryport

Best place for a pint: The Engine Inn, Cark
Worst place for a pint: The pub in Barrow-in-Furness that had a drunken man slumped in the doorway smoking a fag and spitting on the floor at 3 o'clock on a Sunday

Facts learned during this trip:
  • there really are hosts of golden daffodils all over Cumbria; no wonder Wordsworth kept banging on about them
  • Northern Rail train crews are much nicer than Arriva Trains Wales ones
  • Tesco really couldn't give a fuck about what their stores look like
  • if you have an award-winning miniature railway next door, you can charge ridiculous prices for poor food and people will pay it
  • schoolkids are really annoying and should be herded into a pen and left there until they're 18
  • Ulverston has an annual breastfeeding festival
  • St George's Day is a really big deal up there
  • station tearooms are a precious resource in short supply, and should be cherished
  • if you pee outdoors in a rainstorm you will spend the rest of the day wondering if that's rainwater or urine all over your leg
  • the Liverpool Echo should have more front page stories like WIDOWER: WIND TURBINE WILL DESTROY ME
  • not everywhere in Britain has embraced a 24 hour booze culture; in fact, in some places you'll be lucky to get a half a shandy before eight o'clock
  • sometimes trousers can turn evil and try to attack you
  • hand pumped level crossing gates are a real thing
  • Lego Lady can be a right uppity bitch sometimes
  • don't put children's artwork on a station platform if you don't want people to take the piss
  • if you want to keep something secret from the rest of England, stick in in Cumbria. No-one will ever know.
The journey in full:






Sunday, 5 May 2013

Day Five: Keeping The British End Up


In an ideal world, Aspatria would not have been my next station.  Ideally I'd have been pulling a Sid James gurn under the station sign at its near neighbour: Cockermouth.  My love for the filthiest, most puerile innuendo would have reached its apotheosis; it would have been my nirvana.

Unfortunately, Cockermouth doesn't have a railway station any more, and even when it did have one, it didn't link up to the Cumbrian Coast Line, so I had to settle for Aspatria.  The only thing it could provide by way of smut was the headquarters of the Lake District Creamery overlooking the station, and that's just pretty half-hearted.


The station was lovely though.  It had been well tended to, cleaned and scrubbed.  We were back on two tracks here and the bridge didn't look like it would collapse from neglect.  Of course, I'd turned inland now.  This was the final stretch, so there were no more train rides above crashing surf, no more salt water rusting the ironwork.


I headed out the stone archway into the little station forecourt, and then up the hill to the village.  The home ground of Aspatria RUFC appeared on my right, with a board advertising the next match and advising that the Gymnasium was open to the public.  I briefly considered halting my trip to go on a running machine in amongst a mass of sweaty hairy rugby players - or at least hanging around the showers - but instead I pushed on into the village itself.


Despite its grandiose name implying some sort of long lost Roman outpost, Aspatria is just a small town.  Or perhaps a large village.  At what point do you become a town?  Aspatria had a petrol station, a couple of pubs, some shops, but I could have comfortably walked from one end to the other in twenty minutes.


It seemed like a thriving little community, anyway, with busy shops and pavements filled with mothers with buggies and builders nipping out for a sandwich.  I wondered what people did for entertainment in the evenings; the local newspaper gave the answer.


I bought a sandwich from the local Co-op (the monopolies board should get onto Co-op's dominance of the Cumbrian supermarket trade; the only Tesco, Morrisons or Asda I saw were in the big towns, and I didn't see a single Sainsbury's the whole time.  They've got it all sewn up quite tightly) then I found a bench by the bus stop to eat it.  A little old lady appeared close by, but she didn't seem to want to come anywhere near me and my chicken sarnie; even after I got up to offer her my seat she hid inside the shelter instead.


The 300 dropped me off in the centre of Wigton, a town that I suppose you could describe as having a vaguely comic name.  It's a bit of a reach.  It certainly wouldn't pass muster in a Talbot Rothwell script.


Wigton is a real old-fashioned market town; that elaborate water fountain in the Market Place tells you all you need to know about its wealth and where it came from.  There was also a market hall, and a car park that hosted stalls on market day - in a way, it was still the 18th century here, but in a good way.

I wandered down the main street, past the Lazeez Indian Restaurant ("You'r welcome to bring in your own alcohol to dine in with..", it promised, in a way that was so grammatically offensive I almost got out a red marker pen) and the Youth Station, a former pub converted into a community centre.  Again, there was that real sense of place, of a town where you could probably encounter four or five friends just walking down the High Street.


I walked past the parish church, and some rows of stone cottages (Collegium Matronarum Provento annuo - John Thomlinson AM - Erexit - Robt. ejus Frater STP - AD 1723 said the stone above the door) and then I was back on the road to the station.  Len & Donna's Garage (your local independent) was charging 138.9 for a litre of unleaded, which reminded me that living out in the country isn't all rolling around on hay bales and drinking milk fresh from the udder; you end up paying over the odds for things that people in towns take for granted.

The local theatre, a converted church, was named after John Peel; I'm not entirely sure why, as I can't find any link between him and the town.  Presumably the owners were just massive fans of Home Truths.  The town's most famous son is actually Melvyn Bragg, who is Lord Bragg of Wigton.  I wonder what the residents felt when they read A Time to Dance, his saucy tale of May to December lust on the Cumbrian fells.  I expect there were a few locals recognising themselves in the prose and blushing furiously.


The land around the station is dominated by the Innovia factory, a massive industrial complex that doesn't seem to fit with the rest of the town.  Suddenly I was back in the ugly world of Barrow and Sellafield.  It manufactures cellophane and other films - this was one of the first places to produce Rayon.  Innovia is an absolutely rubbish name for a company - it could make literally anything.  It used to be called British Cellophane Ltd, which is a far better name.


Wigton station was up on a viaduct, a relative novelty for the line.  It's held in by sandstone walls and a bypass on the far side, with a freight line branching off into the Innovia factory.


Wigton has incredibly wide platforms; combined with its position above the town, there's a real feeling of space.  Its most notable feature for me was an absolutely lousy flowerbed.


That is just horrifyingly naff.  It looks like the centrepiece of the driveway of some horrible nouveau riche McMansion, the kind of building that's been designed to look a bit like Downton Abbey but built out of red brick and with air conditioning and double glazing.  The pediments and the name in the centre and the horrible pink stone - it was bafflingly terrible.  I wondered if this was a Jubilee project or something; if so, they should have just spent the money on more bunting or buying everyone in town a pint.


I wasn't surprised to be the only person getting off at Dalston.  I'm not sure anyone ever uses the station.


It definitely wins the prize for "station most ignored by the local community".  Wigton might have had a factory right next door, but you have to actually walk through an engineering plant to get out of Dalston.  There's a yellow marked pedestrian path through the centre of the plant; the workers regarded me with bemusement as I tried to casually stroll past.  It's clearly not something they see very often.


I weathered the pitying looks from the oil-splattered engineers to take the sign photo.


Dalston itself is mainly based around a square, with plenty of small local shops, as well as the inevitable Co-op.  I treated myself to a scalding hot meat and potato pasty from the little bakery as I wandered around.


I know it's very practical, and it's what people have been doing in village squares for decades, but I wish they weren't just glorified car parks.  It doesn't feel like a thriving centre of the community if you have to pick your way through Ford Mondeos to get to church.  Still, it was all quite nice; clean air, happy residents, pretty, well cared for houses with flower-filled front gardens.  I've never been to Dalston in London but I am absolutely positive it is just like this one in every way.

Perhaps the most interesting feature in Dalston is its big black cock.


I had to get my smut somewhere.  It seems the village decided the best way to commemorate a new century was a cast iron planter with a demented rooster on top.  I think this is one of those things that people in the countryside all know about and townies will never understand, like fox hunting or the comedy stylings of Jethro.

There was still some time until my bus so I went in search of something to do.


I pulled my battered timetable out of my pocket (actually the second one I'd had that week - the first had been soaked through in the rain and was rendered unreadable) and silently crossed off the last few stations.


That's it, I thought.  The Cumbrian Coast Line finished.  There was still Carlisle, of course, but I'd be arriving by bus and leaving via the West Coast Main Line; there weren't any more little stations for me to visit.  No more single platforms in the rain.  No more tea rooms.  No more quaint villages.  This was it.

I felt a real sense of achievement striking out that last station.  I'm not sure if anyone else has done this - I'm sure someone has - but visiting every station on that long, lonely line felt like a feather in my cap.  There had been times when I'd wanted to jack it all in, but there had also been times when I'd never wanted to leave.  Nursing a warm cup of tea in a small village somewhere, the high fells in front of me, the taste of salt from the sea on my tongue.

I relaxed into the comfy bench.  The radio station in the pub was having a retro hour, and in the process, playing all the songs from the 90s I liked.  Could It Be Magic.  Renaissance.  Wonderwall.  An old man came in and took up his usual seat to flirt with the barmaid.  I could stay here a little longer, I thought.  Then the old man started looking in my direction, and I realised he was gearing up to engage me in conversation, and so I fled.

I tell you what, they have some posh buses in Carlisle.  The number 75 had leather seats.  Sitting on them for just a little trip into town felt ridiculous, somehow, like arriving at your friend's house in a horse-drawn carriage.  I wondered how long these leather seats would last on a service in Liverpool; I bet someone would have jammed a pen in them before you'd left Queen's Square.

Lego Lady seemed to enjoy it.  You can't see it properly, because the photo didn't come out right, but she is definitely smiling.


I'd been to Carlisle once before, to see a recording of I'm Sorry I Haven't a Clue.  It was being held in a leisure centre on the outskirts of the town, and I got to see Barry Cryer and Sandi Toksvig having a glass of wine outside a fire escape before it started.  It was obviously hilarious, even if it was Jack Dee as chairman rather than Humph; the off the cuff quips were as good as the jokey amswers, and it was frequently filthy.  I'm constantly delighted by the absolutely obscene stuff they get away with on that programme; it seems that since it's Radio Four it doesn't count.  We'd driven up that time so I hadn't seen the station building.


The station was known as Carlisle Citadel when it was built, and it still has an air of an impenetrable fortress to it.  I felt like I should have been wielding a lance and wearing a suit of armour.


I got myself a coffee and had a bit of a wander around.  It was strange to see trains with the Scotrail branding - not long intercity trains, just little commuter ones.  I was within sniffing distance of tartan and shortbread here.


That circular roof motif was particularly pleasing to me - it was simple, but elegant.


The thing that really stopped me and made me think was across the bay on platforms 5 and 6.


Welcome to the Settle-Carlisle Line & Hadrian's Wall Country Line.  I hadn't been on either of those lines yet.  They were both clean purple slashes on my Northern Rail map; not one single station crossed off on their entire length.

It was a reminder.  Even though I'd conquered the Cumbrian Coast Line, there was still so much more to do.  My head began to fizz with thoughts; I'd need maps, timetables, spreadsheets.  I needed to do some more planning - and soon.  I was tired and homesick, but I still hadn't lost my passion for Tarting...

Friday, 3 May 2013

Day Five: Hump Day

You don't realise how long the Cumbrian Coast Line is until you ride it end to end.  On the map, it's just a curve round the edge of the land - it looks like a fairly simple and quick trip.  That single line, with no changes or dead ends, makes your brain think it must be easy.  It actually takes nearly three hours for a train to get from Lancaster to Carlisle - you could do Liverpool to London in that time.  Boarding the train at Barrow on the last day of my trip, it was an hour and a half of travelling before I got to a station I'd never been to before: Harrington.


Through pure good luck I managed to alight on the station's claim to fame - the Harrington Hump.  This is a little ramped surface installed on the platform to enable easy access to the train, without the need to fix the whole station.  Harrington was the first place to have these experimental ramps installed, and subsequently gave its name to the invention.


It's a tiny thing, but it's needed to distinguish Harrington from the other stations up the coast.  It is another anonymous, two platform station squeezed between the land and the sea, and therefore probably not likely to be electrified any time soon.  


They can't even be bothered having the station name on a pole.  "Just whack it on the brickwork.  That'll do."


Harrington was busy, full of energy, that little bit of panic that streets get at about a quarter to nine.  Mums were hurrying kids along the street, no longer tolerating dawdling, and the traffic had that slight air of risk about it.  People were just a little bit late so they put their foot down.  I wandered up some busy little back streets to the main road for my bus.

Yep, I'd had enough of walking.  Stuff it, I thought.  It's my last day and I've walked miles this week.  I'll have a bit of a lazy day.  Plus, thanks to my decision to do Workington station the day before, I had a long, long way to go to get to my next station.  

The bus seemed intent on going as slow as possible.  My train left at 9:24, and the driver must have sensed my tension.  He decided to stop at every pedestrian crossing, to let out every waiting driver, to slow down for all the bus stops on the off chance there was some tiny little old lady hiding behind the pole.  I don't care if he was "doing his job" or "being a courteous driver" - he was giving me palpitations.  At Workington bus station, he switched off the engine, got out, and wandered off to stretch his legs.  I was the only person left on the bus.  I briefly considered stealing it, crashing out of the front of the station and through traffic like Sandra Bullock in Speed, but he finally returned and chugged his way out of town.


We finally reached my stop, and I practically leapt off the bus.  My deep resentment towards the bus driver and his tardiness didn't stop me from saying "thank you" as I disembarked though - I was brought up right.  I tacked along the verge towards the station, pausing only to consider an abandoned 33 in the grass.  The rain had washed away the label so I couldn't see what it was.  Given its new home at the side of the A596, I'm guessing it wasn't a mint first pressing of Please Please Me.  It did make me wonder if mp3 players had yet reached Cumbria.

Still, here was my next station.

 
Yes, Flimby.  It turns out that it's not the name of the fifth Teletubby, but is in fact a place in the North West. Who knew?


Flimby's main claim to fame, apart from its hilarious name, is that New Balance trainers are made in the village.  I seem to remember New Balance trainers were a big thing when I was at school.  I completely abstained from any kind of interest in that sort of thing.  Even if I was interested, I couldn't afford that kind of trainers anyway - I wore Hi-Tec when I was a teenager, because they were cheap and had little Union Jacks on them, which I liked.  I don't get any kind of fetishising over shoes, whether it's trainers or boots or Manolo Blahniks.  They're just going on your feet.  No-one can see them.  And they're bound to get dirty, too.  The only shoes I genuinely love are Doc Martens, and that's because they are both comfortable and practical: you can wear them with almost anything.


Down on the platform, I still had about five minutes before my train arrived (meaning my frustrated anger towards the bus driver was entirely unnecessary; sorry mate) so I figured I'd take a seat.  This platform shelter was a little better appointed than usual.


I hadn't walked round Flimby, but that leather sofa and burnt wood told me everything I needed to know about the town and, more specifically, just how little there was for the local teenagers to do after 5 pm.


Maryport station was an odd one.  There's only one platform here, even though this whole section of line has two tracks; the trains have to pull into it, crossing over one another, which causes problems if anyone's ever late.


There's a nice modern building though, with a ticket machine and a couple of waiting areas.  These waiting areas smelt quite strongly of vinegar when I went in them, for some reason, so I had to leave them again, but still: nice effort.


The town of Maryport, meanwhile, was thoroughly charming.  It was another Georgian development, like Whitehaven down the coast, and it still looked it; I expect they are constantly closing the high street so they can film another Jane Austen.  I didn't see any breech-clad Mr Darcys, but I did see quite a few pensioners, which is why people like reading Pride and Prejudice and not living in the real world.


The quayside was thronged with pubs, all quiet now, but no doubt packed with happy daytrippers in the summer.  The town was now a port in name only - the deep water facilities at Workington destroyed much of their trade, and the closure of the local mines did for the rest of it.  Tourism had taken over as the town's principal source of funds.


I turned back on myself in search of some breakfast.  I picked Annabell's Tea Room at random, and entered a scene harking back to the 1950s.  Mary was holding court.  An elderly lady with a wooly coat and a shopping trolley, she was sat at one of the tables on the side wall but she had turned her chair so she could address the whole room.  She was like Ena Sharples without the charm or joie de vivre.  The couple of other tables in the window had pairs of pensioners in them who seemed to have been caught up in Mary's oration; the only person, apart from me, who wasn't involved was a heavy man with a Kindle.  He stared at it determinedly, refusing to acknowledge the gossip around him.


I do like to eavesdrop - it brings colour into my drab little life.  Mary was making it difficult for me with her accent and dialect.  It was a sort of Northern accent, crossed with a bit of Brummie (a kind of roll to her u) and a bit of Geordie.  She peppered her speech with words I'd never heard before, but which the locals all understood perfectly.  It was fascinating to just listen to the shape of her speech, so different to what I was used to, though the content was just as good.  Mary was laying into "Jennifer", a woman she'd shared a room with in Blackpool last year on the town's annual coach trip (like I said: it was still the 1950s here).  "Nivver again.  She was the griddiest woman I ever know."

I tucked into my bacon bap as Mary listed Jennifer's crimes.  She'd taken a bottle of wine down to the bar from her hotel room on the first night ("big green bottle..."  "Lambrini?"  "Aye, that's the one.") despite the hotel specifically barring this.  All night, she'd drunk from her shop bought bottle ("she'd go to the other side of town if she could save herself a penny") rather than pay the bar prices, causing much consternation among Mary and her fellow travellers.  Eventually, Mary had dobbed her in to the management, and Jennifer became irate when no-one else leapt to her defence.

Jennifer just isn't getting a fair deal here.  The proprietress joins in,  "She were in yar week, saying she was one of my best customers.  All she ever has is a coffee."  They also dismiss Jennifer's pretensions, since she goes and buys books from the charity shop but then puts them in a Marks and Spencer's carrier bag.  

Finally Mary gathers up her things, says her goodbyes, and blusters her way out of the cafe, her trolley clattering into tables as she goes.  I hold my breath, waiting for it, waiting for the judgement.  

Finally, one of the old ladies in the window speaks up.  "That Mary's a character," she says, emphasising the word character as though it were a euphemism for "Nazi war criminal".  Never change, bitchy old ladies.  Never change. 

Thursday, 2 May 2013

Day Four: Losing Faith

I am, in many ways like a shark.  Not least because I have horribly sharp teeth and a strong dislike for Roy Scheider.  I need to keep moving at all times.  If I stop I tend to get weary.  My daily dose of drugs has a side effect of extreme tiredness; it's a rare day when I don't have to have at least one little nap.  If I can distract myself long enough and push through it I'm ok, but it'll get me in the end; after I got back from this Cumbria trip I was basically comatose for three days.

The net effect of my wait at Nethertown, despite Tina Fey's encouragement, was a certain lethargy.  My brain was a bit fuzzy and loose.  My carefully planned schedule - now a little wad of papier mache in my trouser pocket - called for me to stop at Corkickle, a request stop, and then walk into Whitehaven.  I felt lazy.  I felt tired.  I couldn't be bothered asking for the train to stop, so I thought, I'll just reverse it.  I'll walk back from Whitehaven to Corkickle.


Some of the other passengers weren't so lazy, though, and as the train stopped at Corkickle anyway, I figured I'd just jump off.    It wasn't a nice stop; I was glad I'd be walking away from it, rather than towards it.  Another single platform, another bricked up ticket office.


A man with an animal that might have been a dog, might have been a small dinosaur, got off ahead of me.  It snuffled and growled its way through the exit, so I gave it plenty of time to depart before I took my photo.


The road into town passed Whitehaven Castle - a disappointment.  I want turrets!  I want towers!  If you haven't got a moat, get the hell out.  It looked like a particularly dull stately home, one that had been converted into an office building in the 1970s.


My eyelids were still drooping.  A dose of caffeine would be necessary.  There was a McDonalds by a supermarket, so I negotiated the drive thru entrance (they really weren't keen on customers sitting inside) and got myself one of their abominable coffees.  (I also got myself a Quarterpounder; it would have been rude not to).  McDonalds' coffee is so bad it's actually awe-inspiring - the idea that a company that big, with that much money, can't make a single cup of coffee taste better than Aldi's "Sweepings off the Factory Floor" Range.  It's like hot water poured over clay, then run through a sieve to remove anything approximating flavour.  This cup of filth's only virtue is the caffeine levels; they're somewhere just below toxic waste.

My coffee break gave the skies enough time to gather their forces again.  Wave after wave of heavy rain slammed against the window, while the winds ripped the door out of the hand of an old lady nipping in for a tea.

I braved the swells again to follow the road downhill, pausing only to snap a picture of a curious water fountain.  Apparently the man and his dog emerging from the stone wall are "literally stepping out of the past to meet us."  Preparing to drag us back with them into their hell, more like.


Still, Whitehaven was very pretty.  The town sprang up in the 17th and 18th centuries on the back of coal mining in the nearby hills; the port was created to ship it around the country.  It means it has a genteel, Georgian air to its architecture, with pleasingly symmetrical houses and carved flourishes on sills and pediments.


In the centre, the town's shopping centre seemed busy and pleasingly diverse.  The architects had adapted to the existing buildings, rather than slapping a corporate look over a perfectly adequate building.  Next time you're on a high street, look above the ground floor, and you'll often see a wealth of attractive features that have been ignored so they can install a giant illuminated Ladbrokes sign.


I passed The Rum Story, "the world's 1st exhibition depicting the Story of Rum", but wasn't tempted inside.  I don't like rum.  It's too fragrant for me - it hits your nose long before it reaches the back of your throat.  If it had been The Vodka Story or, better still, The Jack Daniels And Coke Story, well, that would have been a different matter.


A sign board in the window of the local furniture shop advertised an upcoming production of Grease with photos of the cast in their 1950s garb.  If you thought the actors in the film were too old to play high school students, you should have seen this lot.  At least two of the T-Birds were bald, and Kenickie seemed to have just come back from his shift down the chippie.  Danny had a cigarette dangling from his mouth in the manner of a six year old who's sucked the top off a lollipop but won't let go of the stick, while Sandy wasn't so much "innocent naif" as "terrifying stage school princess ready to consume your soul with her semi-professional gnashers".  In short, it looked like a must see.  (It couldn't be any worse than my school production, where they couldn't afford to pay for the rights so they did, cough, Romeo and Juliet, with the students miming to Greased Lightning and some other random tracks and dialogue inserted just to keep the lawyers at bay.  I wasn't in that one - I did Fiddler on the Roof the following year which had proper singing and yes, my Motel was a triumph, thank you for asking).


Whitehaven's clearly seen better days, but if you squint hard enough, you can detect the beauty underneath.  On a hot summer's day I expect it's wonderful.  In most places all you'd need was a quick lick of paint.  The former bus station, sadly, has been allowed to fall into disrepair, and is now to be demolished and replaced by a block of flats.  It's been condemned as unsafe, but I'd have liked to have seen that lovely 1930s entrance preserved in some way.


Pop quiz: somewhere in this photo is a railway station.  Can you spot it?


If you really, really concentrate, you can just about see the sign in the middle of all that Tesco business.  It's another station that sold its soul to the supermarkets in the 1980s.  The old building and associated tracks were swept away so that the people of Whitehaven could get slightly cheaper baked beans; in return, the railway got this:


There were plans for a new transport exchange here, with a bus gyratory and maybe even a new station, but they were scrapped a couple of years ago.  A shame, as it would have made it more of a presence, rather than just this tiny cabin cowering behind a petrol station.


The station doesn't seem to have received an update since about 1985.  A sign in the car park warns that parking is "for British Rail business only"; inside another one says "invalid toilet facilities are available", which made me think they were broken, until I realised that it was invalid = disabled rather than invalid = not valid.


That deserves some kind of prize for going out of its way to be unhelpful.

Outside, there's a wide island platform.  There used to be four tracks here but various cutbacks mean that most are now gone.  You're left with a big lump of concrete and little shelter.


Once again, I was hit by a burst of accidie.  The next two stations were both request stops, and I only had time to visit one of them.  Sod it, I thought.  I'll just go to Workington and turn round and go home.


In my defence, Workington is a very nice station.  It's a proper Victorian through station which has been recently restored by Northern Rail (with some help from the Purple Gang).


I nipped out into the car park for the sign shot.  It also gives you a good view of the yellowbrick building, and how well it's been cleaned up.


Inside there's a ticket hall/waiting area which, much to my delight, was warm and dry.  I positioned myself next to a radiator to wait for my train.  It was three quarters of an hour, but I really couldn't be bothered wandering into the town to have a poke round.  Sorry Workington.  The only irritation was a pair of very jumpy automatic doors that slid open if you glanced in their direction; I was continually assaulted by unwanted wafts.

My train was closing in, and I was feeling guilty.  It just seemed rude to bypass two stations without having a look.  It was ignorant.  In my febrile imagination, I pictured them insulted, crying, wondering what they'd done to insult me.


Down on the platform, I made a quick decision.  Parton.  I'd jump off at Parton, have a pint for an hour, then get the very last train back to Barrow.


A stupid decision as it turned out.  Because Parton is quite easily one of the dumpiest places I have ever had the misfortune to linger in.


The main street lead into a cold, unwelcoming town square surrounded by ugly houses.  It was squeezed into a gap between the railway line and the hills and it was completely lacking in charm or charisma.  The playground was rusted.  The pubs were shut, possibly forever.  The war memorial was surrounded by a wall that looked like it had been built by a pensioner on his spare weekend.  A giant mural on the back of the village hall provided some colour, but seemed like the last gasp of a drowning man.  I didn't recognise this technicolor vista in the settlement before me.  The garden chairs at its foot, ready to accommodate the smokers, didn't help.


I did a couple of circuits in the hope of finding an upside to the place.  There wasn't one.


I wandered back to the station, where at least there was a shelter.  No-one cared about that either.  The steps were worn and mossy, the brickwork in desperate need of repointing.  Wonky signs were allowed to dangle precariously.


I sat in the miserable shelter, trying not to cast disapproving looks at a couple on the opposite platform who were trying to get pregnant through their clothes, and thought: how much more of this have I got?  How many more stations are there to go?  I wanted to go home.  Not to the Travelodge at Barrow, where I'd been moved rooms and was now in a repainted one that still stank of emulsion, but properly home.  I'd had enough of this.  One more day, I thought.  One more day.