Monday, 11 August 2025

Rush

Adrenaline is a very powerful drug.

I'd planned this whole trip in great detail back in England.  (Yes, of course there was a spreadsheet.)  Timings, routes, even which exit to use in the stations - all researched and carefully recorded. 

Keilaniemi was a great place to end Day One.  I'd have completed all the stations in Espoo.  I'd have completed all the stations in Zones C and B.  From there I was pushing on into the centre of the city.

Plus: look at it.  It's the Länsimetro writ large: a long elegant space with a light show above.  It's a perfect ending.


I headed up to street level because, as we all know, if you don't pass through the ticket barriers it doesn't count.  Not that there are any ticket barriers.  Helsinki's Metro - and its tram and bus network too - is entirely predicated on trust.  It is assumed that you have a ticket already when you board, so there's no need for a barrier.  There are ticket inspectors, of course, who swarm all over a train and interrogate the passengers.  This happened to me only once, when a short stout woman barked some Finnish at me while I was gazing out the window.  I don't think she expected me to look quite so frightened and quickly sized up I wasn't from round these parts, repeating the question in a much softer tone and in English.  It's nice to be treated as an adult, to be trusted, to believe that your citizens are basically decent human beings who will do the right thing.  If they tried this on the Tube it would go bust within about eight minutes.

Keilaniemi itself was a building site.  This has long been a centre for some of Finland's most prestigious companies - one of the complexes by the coast was once home to Nokia, who have since realised they don't need quite such a large set of offices, for some reason - and the arrival of the metro has seen a building boom.  Corporate HQs are now being joined by apartment blocks and the whole area is being rebuilt as a kind of Kanari Wharf.  It is, in short, not a very interesting place to hang out if you're a tourist.  

The plan was to head back into the Metro and go home.  But that adrenaline kicked in.  I was having a great time.  I was alone, exploring a foreign city, a beautiful one at that, and visiting fascinating railway stations.  I didn't want to quit and head back to my hotel for a nap.  I was pepped up on enthusiasm.  Plus, there was a tram.

Helsinki has kept most of its traditional trams, and they clang-clang-clang their way around the city centre.  They're small and have steps up to the seats and little tinny bells; they're charming, but they're not what you'd call a modern transport alternative.  In 2019, however, HSL opened Line 15: a modern light rail route that forms an arc from Espoo to the east of Helsinki.  

It's the teal line running from one end of the red Metro to the other on the map.  There was some suggestion of it actually being a Metro line until the numbers were crunched; as it is, the light rail came into being.  And there was a tram sat on the platform across from the station exit.  I dashed over and got on board.

I only went one stop, getting off at Otaranta, but at least I could say I'd done it.  I was now on the very edge of Espoo, where the coast broke off into small islands, jigsaw pieces scattered in the bay.  With the pump of hormones inside me I decided I would walk across the islands to my next station. 

The sea was as grey as the sky but there was still something so exciting about walking across it.  When we hit land again, a blue sign by the side of the road told me I'd entered Helsinki proper now.  Beyond that were thick forests of evergreens and a small side path taking me down and under the road into the woods.

Of course, I immediately dived down this side path, without a second thought.  Life is a lot more joyous if you branch off whenever you can.  Take the unknown route, the footpath that goes round the corner, the unfamiliar road.  It's so much more thrilling to find yourself in a completely alien place with no idea how to get out. 

Except... now the darkness set in.  I was smiling, happy, enjoying my stroll through the paths, when it occurred to me that I had no real idea where I was and nor did anyone else.  I was a blip on a mobile phone signal and that was it.  

I rounded corners and the fears began to prickle the inside of my head.  What if there was a band of crackheads loitering here?  What if a serial killer hovered in the woods with a knife?  What if I tripped and plunged into the water, slipping below the surface and never re-emerging? 

The really bleak part is: I realised I wasn't really bothered.  What a way to go was the main thought.  If that was how I was going to die, well, so be it.  Better to be brutally murdered on a distant island than a boring stroke at home.  Better to be fished out of the Gulf of Finland, bloated and eaten by fish, than to slip and crack my head on a staircase in Liverpool.  If the murderer had leapt out at me, wagging his meat cleaver and screaming that the voices demanded a sacrifice, I would probably run.  I think.  It's not come up yet.

We're all a coincidence of atoms and biology, a cosmic happenstance.  Our existence is nothing.  Every human is a tiny nodule on the history of Earth, and Earth itself is a mite on the back of an insect on the face of the universe.  We're irrelevant.  If the Fates decided that I was destined to die alone, unknown, in a strange city, well, that was that. 

Obviously it didn't happen, or I wouldn't be here typing this nonsense right now.  This is what happens when I find myself strolling in the silent majesty of nature.  Either I become filled with the joy of existence or caught up in the blackness.  Appropriately, in Scandinavia, the home of Ingmar Bergman, lemmings, and the general concept of drinking until the pain stops, I'd gone with the second option.

A small boy on a bike burned past both me and the sign saying he shouldn't be on a bike and woke me up from my interior.  He looked over his shoulder at me, a little cautiously, and I realised that in the pecking order of potential serial killer victims, overweight middle aged white men were quite far down the list.  Far too much effort.  (The boy was fine, by the way; he pulled up next to his mum and sister round the next corner and began climbing on a piece of play equipment).

A small bridge carried me across to the next island, Kaskisaari, past a low villa with a huge Mexican flag flying.  I guessed this was the home of the ambassador, to which I say, congratulations señor.  I don't want to make any assumptions but I'm guessing Mexico and Finland don't have much in the way of a complex diplomatic relationship that requires the ambassador being regularly summoned to the Presidential palace.  He gets to live in his coastal home and get the limo into town every day then wander back having done something very important, I have no doubt, but I'm not entirely sure what.  

Kaskisaari was privately owned for most of its history and it's only in the latter part of the 20th century that homes have crept in.  As you'd expect for an island in the bay close to one of Europe's most desirable capitals, the properties are astonishingly expensive for what they are.  They resembled small, discreet detached houses - nice, but not mansions - but an advert for a development of three new two-bedroom homes advised me they were going for €1.9 million each.  I was surprised to see a bus stop, let's put it that way, but I guess the cleaning staff have to get there somehow.

Leaving the island to the south meant using a pedestrian bridge, adding to the exclusivity; when your home is a cul-de-sac surrounded by water it's adding another zero to the house prices.  A jogger passed me in illicitly tiny shorts.  I stopped in the centre of the bridge, a wind whipping across the water to muss up my hair, a taste of salt on my lips.  I could stay here, I thought.  It's easy to win the Euromillions, right? 

A couple of twists in the path and I happened across an information board, helpfully written in Finnish, Swedish and English.  The Seurasaarenselän rantareitti is a 14km walking route that forms a circle around the islands and city fringe.  I'd skimmed just the western edge of it, but the map showed that another, different route, the Lauttasaaren rantareitti branched off here and circled the island of Lauttasaari.  

Of course I took the branch.  There was, fingers crossed, still a chance I could be flung into the ocean by a psychopath.  I realised that there were pink markers on the trees to show I was on the Lauttasaaren, and I wondered if there had been blue signs for the Seurasaarenselän walking route and I'd been too dopey to notice them.  The path curled round the edge of the island then deposited me at the back of some small apartment blocks.   

Once again, I got an insight into the communal, respectful Finnish personality.  There was a bathing pier so you could swim in the bay and behind it were drying racks for your wet clothes - out in the open, without security or CCTV to make sure nobody nicked your pants.  Towels were hanging there, alongside a public mangle to help you remove the worst of the water.  It created a picture of happy community.

Yes, that's an abandoned e-scooter.  Helsinki is as plagued with them as every other Western city.  They were usually parked at the side of the road, out of the way, but sometimes you'd have to pick your way around them on the pavement.  Another Western plague that the Finns are not exempt from is bored teenagers, as I discovered when I walked through the apartment complex to get to the road.  It was built over a steep hill and at the top were two boys, about fourteen or fifteen, squatting on ride-along toys clearly swiped from their much younger siblings.  They looked at me as I approached, a little guiltily, knowing they shouldn't have been doing what they were doing, but the moment I passed they lifted their feet and rolled down the slope, giggling. 

A bus passed me then performed a long circle at the end of the route to go back the way he came; the driver paused for an old man who called out from the other side of the road and gave him time to cross and board.  There was a sandy playground, scattered with toys - possibly where the two teens had got their rides from - and rows of apartment blocks with balconies, most of which had glass shutters over the top half so that they could keep in the heat during winter.  (Why don't we do that in the UK?)

 
 
Through an underpass and then I was at Koivusaari station, which holds the unique distinction of being the only underwater metro station in the world.  This sounds more impressive than it is.  When you hear that, you think it's connecting two distinct bodies of land separated by water - a bit like Blackfriars station in London, only under the Thames instead of over it.  In reality, it's connecting two parts of the same island, and there happens to be an inlet inbetween them.  You can see the back entrance across the way and you could walk to it if you wanted.
 

In fact, the plan was that it wouldn't be under water at all.  Koivusaari is a small island on a particularly shallow point of the bay.  The Helsinki city authorities hit on an idea to address the need for more residences: why not fill in the land around the island with the material generated from, for example, a metro tunnel, plus all the other construction projects around the city?  This was what the island had historically been used for, after all; Helsinki dumped a lot of the rubble left over from the war here in the 1940s.  You'd create a much larger island - around 50 hectares larger in fact - with an underground station right in the middle of it and suddenly there would be room for around 4000 people.
 

The idea did not go down well at all.  Attitudes to land reclamation had shifted over the decades, and the city's residents rejected it wholeheartedly.  Unfortunately, at the same time, Espoo was pressing ahead with the Länsimetro; the opportunity to build a station here was too good to pass up.  Helsinki agreed to construct Koivusaari station anyway on the promise that they'd try again with the development plans later.
 

It means the station is perhaps the most expensive entrance to a nature reserve in the world.  The second exit, on the other side of the water, was mothballed until a later date, and the ticket numbers are the lowest on the system with the exception of Finnoo.  Finnoo, though, is getting its developments right now, while the ones at Koivusaari are still theoretical.  Helsinki has come up with a new scheme that means a smaller amount of reclamation, but taller buildings so there are the same number of new homes; it's yet to get approval.
 
 
I'd got used to the calm silence of the metro stations by this point, but Koivusaari was something different; the trains that came and went rarely deposited new passengers, and there was nobody in there with me.  That unused western exit came complete with a hopeful image of the "Koivusaari of the future".
 
 
I don't begrudge Koivusaari station at all.  It makes absolute sense to build it while it's easy and cheap rather than try to create a station on a working line at a later date (ask Merseytravel how they're doing with Baltic to see why that's a problem).  It's the chicken and the egg: do you build a station to generate traffic, or do you wait until there's sufficient traffic before you build it?
 
 
Just today Jonn Elledge published a piece in the Guardian lauding Crossrail and its transformative effects on London.  He asks why the rest of the country can't have the same thing, and I have to agree.  If you build it, they will come, and metros and trams and railway stations create communities.  Helsinki may have jumped the gun a little with Koivusaari but in fifty years there will be a thriving district here.  Even if the proposed developments never happen, those two teenage boys I encountered will grow up with a fast route to jobs and universities and opportunities in Espoo and Helsinki they never had before thanks to the Metro station on their doorstep.  Transport can transform lives and improve cities, and I wish Britain would take that on board.  There should be a Koivusaari in every town.
 
The hour long walk through the islands had tired me out.  I'd gone one more station than I'd meant to.  I should really have stopped for the day.
 
Of course I didn't.

Friday, 8 August 2025

New Town, City

One regrettable behaviour of serial killers is their determination to taunt and cajole their victims and their pursuers.  It's not enough that they're bloodthirsty murderers; they also crave attention, writing to newspapers, sending detectives sarcastic audio tapes, teasing future victims and terrifying them.  They're monsters who should not be venerated and who certainly shouldn't have large statues erected to them in underground railway stations.


That fluid smeared hand says one thing and one thing only: I will kill again.


I jest of course.  This actually a piece called Emma jättää jäljen  ("Emma leaves a trace") by Kim Simonsson and works as both a reference and an advert for the Espoo Museum of Modern Art, or EMMA.  When you know all that, it's quite cute, but otherwise it's a giant white girl staring down at you, and it's a little intimidating.  Also, it's a statue made of bronze and then painted white, and that seems like an awful waste of bronze to be frank.

I'd reached Tapiola metro station on the eastern side of Espoo.  When I've been referring to this whole journey as my "Helsinki trip", that's been simultaneously true and false.  It's officially the Helsinki Metro, but the Länsimetro - the Western Extension - is mainly within the adjoining city of Espoo.  Think of Espoo as Salford to Helsinki's Manchester; the two are intertwined and conjoined but also, one is definitely subservient to the other in both cultural and political power. 

While Helsinki is a city with a long and venerable history, Espoo's a far more fractured, make-it-up-as-you-go-along kind of place.  In 1950, the population was 20,000, up from 9,000 in 1920; today it's 323,000.  The area grew rapidly after the war - too rapidly, in fact, with homes being thrown up throughout the district to accommodate returning soldiers and influxes of country dwellers unable to move to Helsinki proper.  They strung along the existing railway and the main roads, while estates were built in the south of the district by co-operatives as social housing.  It went from a village to a market town in 1963, and then to a city in 1972, and now it's the second largest conurbation in Finland.  Espoo, as a result, lacks a city centre, with four towns surrounding a vast central belt of parkland and woods and each competing with one another for primacy.  There is an Espoo Centre, where the local government is based, but that's not the same town where the shopping is, or the cultural quarters, or the main residences.

Tapiola was a concerted effort to get a grip on Espoo's development and was planned as a Garden City.  It means that it has a slight feel of a Hemel Hempstead or Stevenage about it - the long flat lines of concrete buildings, broken up with the occasional tower, the pedestrian precincts, the breakouts into green areas and bits of art scattered around.  Like those new towns built in the UK in the fifties and cities, though, it's also showing its age.  There's a slight tiredness, a bit of exhaustion, and the feeling that it's been neglected just that little bit too long.


I walked through neatly laid out car-free streets lined with beauty salons and financial advisers and small convenience stores and ended up on a terrace at the centre of the town.  Tapiola was planned from the start to be Espoo's cultural quarter, hence the presence of EMMA, and also, at its heart, a square that would bring the city's residents together to play.

I'll freely admit I was there at the wrong time.  There's a wide expanse of open territory which forms the Tapiola Ice Park, a rink for sports and leisure throughout winter.  I've seen pictures and in December it's a sparkling white delight.  In July, though, it looks like this: 

The building in the background is a hotel complex.  On the other side of the ice park is a swimming pool, a stark piece of sixties modernity that closed in 2016 due to structural problems and has been empty ever since; there is a debate in the city about whether it should be refurbished (it already was once in 2008) or demolished and a new one built.  On the third side, behind me, was the Espoo Cultural Centre, commissioned to celebrate city status in 1972 and finally opened in 1989.


That extremely long germination period might explain why the Cultural Centre is a bit of a mess.  It has two concert halls and a library and houses events throughout the year but it also feels cold and unwelcoming.  I was on the terrace overlooking the ice park, the very centre of the town, and I couldn't actually see a way in.  It was a series of blocks that didn't seem to want me to go near it, which is strange for a public building.  

I tried walking round it, looking for some kind of big atrium or overhanging porte-cochère that clearly said "come in here!" but before long I'd realised I'd left the entire complex behind and was in the woods that bordered it, so that was the end of that really. 

Instead I pushed through the trees, past a collection of allotments, and into a long stretch of green grass.  I wandered across the parkland, happy, alone, until I realised I was really, really alone.  I had an entire park to myself.


Anxiety set in.  I could see there was a school on the other side of the park; was I accidentally walking across their field?  Was I about to interrupt two dozen sturdy girls heading out for hockey, and they'd beat me with their sticks for being a pervert?  Was a large burly male PE teacher about to blow his whistle and shout at me and unleash those complicated emotions gay men harbour about sports?  I hurried on, taking a shortcut so that I reached the road quicker, and breathing a sigh of relief when I saw an actual sign with the word "park" in it.


A cut underneath the motorway brought me into a far more urban scene.  One of the big drivers for Espoo's expansion was the relocation of the prestigious Helsinki University of Technology to a new campus in Otaniemi at the east of the city.  It grew rapidly, bringing in students and with them the support networks.  In 2010, the University of Technology merged with Helsinki's business and art schools to form the new Aalto University - named after the architect who planned the campus in the first place.

I walked down long streets at the back of teaching buildings and laboratories, humming gently with the promise of terrifying experiments inside.  One had a sign saying it was the Centre for nano-technology, which probably means very small optic fibres, but in my head meant tiny robots intent on swarming the human race.  Technology in 2025 is at the tipping point between "genuinely useful boon to everyday living" and "keen to plunge us into a dystopian wasteland" and I'm not really sure the scientists doing the experiments are actually on our side any more, and by "us", I mean "people".   

This feeling wasn't really helped by a student walking past me wearing a Weyland-Yutani sweatshirt.  You do know they're the bad guys, don't you?  Don't you?

Aalto-yliopisto station has a couple of entrances.  The grander one goes into the student shopping centre, with its mix of convenience stores and bars and eateries.  There's an R-Kiosk there, the handy little corner shops that appear at most of the metro stations and from which I'd regularly purchased a bottle of Coke to cool me against the summer heat, and there's also a pizza place called... well...


It seems Smokie's legendary call-and-response hit somehow made it to Finland.  The Finns did have their own version of the song, called Viisitoista kesää and performed by Kari Tapio, but the live versions seem to be distinctly lacking in audience participation.  On top of that, the Who The **** Is Alice refrain seems to have been invented by a Dutch DJ and then reappropriated by Smokie (with the help of Roy Chubby Brown).  It's a delightful melting pot of European nonsense.  I don't know why you'd name your pizza parlour after it, mind.

 

The station itself is big on copper colours, no doubt as an homage to its techie namesake, and it's remarkably calming.  Aalto-yliopisto is one of the stations that gets its name in three languages on the platform signs, Finnish, Swedish and English, to reflect its international importance and the fact that an awful lot of dopey Brits and Americans will turn up there and not bother to learn the alternative name.


Another two stations down.  I was feeling overstimulated if anything.  If I push on, I could do absolutely loads of these things, I thought.  This was a stupid idea.