Showing posts with label New York. Show all posts
Showing posts with label New York. Show all posts
Thursday, 7 May 2015
You Get High In NYC
Britain is full of former railway lines. I've become quite the expert on spotting them on OS Maps. A bizarrely straight row of trees. A footpath that curves at far too gentle an angle. Streets that run parallel to one another but never meet. You pick up on the clues.
Manhattan used to be covered by elevated railway lines, but one by one they were demolished or driven underground. The only one that remained was the West Side Freight Line, a rail route from the Hudson Rail Yards down to the Meat Packing District. For fifty years it carried trucks full of animal carcasses to be butchered and distributed in the warehouses and factories towards the south of Manhattan.
Technology and real estate prices combined to render the line obsolete, and developers hovered over the route as a source of new revenue. However, two men, Joshua David and Robert Hammond, intervened to come up with something different. The abandoned railway tracks had already become overgrown and wild; why not formalise the process and make a park? A non-profit organisation was formed, and in 2009, the High Line opened.
It's a green strip in the sky. Below you the traffic and noise of New York City continues. Up here, there's a promenade, a strip for you to wander and relax. There were joggers, walkers, nature lovers. A school party filled in work books about the trees they could see.
There's grass and trees and shrubbery. Seats have been crafted out of the decking, organically rising and falling, and there are places for performances and poetry readings.
It's almost as if you're floating in amongst the buildings.
And it hasn't been completely stripped back to nothing, either. There are still railway tracks throughout to remind you of what was once here. They've been inlaid into the pavement, still following the same route, sometimes darting in amongst the bushes and sometimes showing the way,
It's not hard to imagine the trains barreling their way along here for all those years. Now they're silent, and the buildings around it are apartment blocks advertising from $2-20 million in the windows. The High Line has converted this district into New York's newest glamour spot; on the day I visited, part of it had been closed off for a photoshoot. Mannequins lay naked on the former tracks like silent movie heroines.
At times, the buildings actually fold over and around you. The buildings were built so that stock could be lifted straight off the train and into the processing plants, or there were branch lines that ran directly inside a loading bay. Some of the neighbouring walls had large square expanses of new brick where the access had been closed off.
I love buildings that actually pass over the roadway; it's one of my architectural fetishes (others include flights of steps in towns and symmetrical entrances). It was a thrill to walk over the street and under the metal casing of an old meat packing plant.
New York loves its new park, and has embraced it wholeheartedly. It's left other cities eyeing their desolate infrastructure and wondering if maybe they could do something similar. I bet London's ludicrous garden bridge wouldn't have half the traction if it weren't for the High Line, and a recent proposal to turn the abandoned Charing Cross branch into a cycle way sounds like it comes from a similar place.
Even Liverpool's trying to get in on the act, with a proposal to turn the unloved Churchill Way flyovers behind the museum into an urban park. There's a difference between New York and Liverpool; space is at a premium in the American city, and there aren't many sites that could be converted into green space. The opposite is true of Liverpool. There are still bare patches in the city centre and further out. I'd rather see the flyovers demolished - reopening the view up Scotland Road and stopping the space behind the library from being quite so dead - and the money spent making public spaces elsewhere in the city. Make the squares and parks that are already there better places to hang out.
I bought a t-shirt and a book from the shop - of course there's a shop - and carried on to the end. It finishes alongside the new Whitney Art Museum, stopping suddenly in mid air. Iron girders that once carried diesel war horses are now holding up hipsters admiring the view.
As a rule, I like railway lines to carry railways. But if they can't do that any more, a park seems like an acceptable alternative.
Wednesday, 6 May 2015
New York State of Mind
The Bicentennial celebrations in 1976 were a cause for celebration across America. Fireworks, parties, lots of truly awful tv specials filled with bad wigs; it was everything you'd expect from the Land of the Free. In New York City, a temporary exhibition charting the history of the subway was opened in a decommissioned subway station in Brooklyn. Nearly forty years later, it's still there.
A little bit ramshackle, a little bit cheap, the New York City Transit Museum exists almost despite itself. The upper floor is divided into a number of exhibits - how they built the subway, the history of the bus network, a long exhibition about electricity which was probably paid for by ConEdison. When we visited there was a part of excitable school children visiting, who succeeded in killing off any parental instinct I had. You've not known hell until fifty loud screaming children have been allowed to run amok in an overheated underground space and you're not allowed to belt any of them.
Bits of historic New York had been pulled off the walls of subway stations and installed at the museum. It was interesting, but not captivating. It was certainly no London Transport Museum, and I was about to write it off as nice but dull when I went down one floor more.
Court Street station was once a shuttle stop at the end of the line, like Aldwych, and the MTA have left the electrics in place and used the old platform area as storage for their historic trains. The length of the platform is filled with every type of train that once ran over the New York lines, and you're allowed to wander all over them. They range from the charmingly ancient looking:
... to striking attempts at modernism:
It was a shock to realise that the New York subway did once have cushioned seats. I'd spent the last few days shifting uncomfortably on plastic and wondering why only Britain seemed to value the moquette. I didn't know that the city had only recently abandoned comfort in favour of practicality.
Each train has also been decked out with period advertisements, just to help you with that time travel feel. These were just as fascinating as the trains. I mean, look at these:
That hat one, in particular, is filthy.
The high point of the museum for me was a 1960s car, decked out in pastel blue for the World's Fair. Its colours were very Doris Day and Rock Hudson, with that hint of optimism and confidence that Nixon would comprehensively torpedo in the mid Seventies.
Oh, but who am I kidding? The real reason I loved this train the best was this:
Stick a Bond poster in there and I'm anybody's.
After that, I returned to the upstairs gallery, for a history of the turnstile and the subway token. It couldn't quite compete.
As with so much about the Subway, if they spent a bit more money on it, the New York City Transit Museum could be wonderful. It needs to be bigger and more comprehensive. It needs fewer kids banging about screaming in your ear. It definitely needs to get rid of the stroppy cow in the gift shop who treats customers as an inconvenience even as you hand over your fifty dollars. The train section is so good, it needs to be better know and more loved.
Monday, 4 May 2015
Fairytale of New York
Among fans of railway architecture, Penn Station is spoken of with the disgust usually reserved for Nazi-supporting child molesters. It's America's Euston, only much, much worse. Euston was demolished in the hope of building a better station, one that was 20th Century instead of 19th, one that was modern and exciting. Penn Station was built so they could sell the air rights for maximum profit.
Now it hides under Madison Square Gardens. If you ever wanted to see the US's attitude to train travel, look at Penn Station. This is the main railway station for the greatest city in the country and it's an underground shopping mall with some tracks attached.
Actually, I'm being unfair. Americans just don't use trains. Amtrak's annual ridership is about 30 million people; that's roughly the same as Merseyrail. And in 2014, Penn Station got 10 million passengers; Liverpool Central got 14 million in the same period. Expectations are different.
It's New York though. Shouldn't they want better? Penn is a windowless void, unfriendly and uninspiring. The emphasis is on getting you the hell out of there.
I wandered around, wanting to like the station. Modern doesn't have to be bad. Modern can be good. Old stations can be draughty and empty and impractical.
All I got was a stream of fast food smells, a Subway giving way to a KFC giving way to a Dunkin' Donuts, and then I was practically on my way down to the 3 train. Next to Penn Station, Euston is a triumph of engineering, a moment of architectural beauty on a par with the greatest of man's achievements. Although I will admit I haven't been back to Euston since they built the food mezzanine, so they may have knocked it down to Penn's level by now.
You also have the added inconvenience of the convoluted system of American railways. Lime Street might be served by a number of train operators, but there's only one ticket booth, and the platforms are all in more or less the same place. Penn has separate ticket windows for Amtrak, for the Long Island Rail Road, for the New Jersey Transit. It's not built for friendly perambulating.
There was one, isolated moment of charm as I headed for the subway. A piece of preserved artwork from the old, 1910 building had been preserved and inserted into a passageway. Suddenly there was something beautiful. It stood out like a sore thumb.
Art doesn't necessarily make everything better, as the mosaic in the subway station below proves, but it helps.
There are suggestions on how to make Penn better. Most of them involve clearing the hell out of there. Across the way is the Farley Post Office, New York's main mail centre. It was built by the same architects as the old Pennsylvania Station and sits over the top of the same tracks so that mail trains could be serviced there.
(Guest appearance from the BF's thumb in the corner).
Moving to the Farley would allow Penn to be closed and sold off, but as usual with anything transit related in New York, no-one actually wants to pay for it.
Also - let's be honest here - the real reason everyone hates Pennsylvania Station is nothing to do with the station itself. It's just not Grand Central, and so it will forever be judged harshly.
Grand Central Terminal (never station) is one of the most beautiful buildings in the world. Not just railway buildings: any kind of building. Grand Central is so wonderful it makes me want to fall to my knees and kiss the ground to pay proper homage.
Grand Central is a triumph of Beaux-Arts design, a triumph of planning, and a triumph of transportation usage. It flows. It's busy, but not overwhelming. The crowds make enough noise for a pleasing hubbub, but not enough to drive you insane.
Every element of the station has been thought through. Head downstairs and you hit the Dining Concourse. It was revamped in the nineties, and could have been made tacky (I'll say it again: dining mezzanine in Euston). Instead it's just another gorgeous space.
The real highlight of Grand Central eating is its famous Oyster Bar, but (a) I don't really like oysters and (b) it looked far too posh for me so I just cowered outside. I did make use of the famous "whispering gallery" outside though, where the arched brick roof means you can murmur to someone on the other side of the room and be perfectly heard.
This is just turning into a series of ecstatic emotions, isn't it? I can't help it. I'm not very good at writing nice things, and Grand Central inspires nothing but love in me. I'm a fan of railway architecture and this is as good as it gets. Just the best.
Is there a bad part to the station? Well, the platforms are a bit shitty. But by then you're on your train so you don't care.
Even the ugly bits look kind of beautiful in the right light though. Damn you Grand Central! You just can't help yourself!
There are also extensive shopping options throughout the terminal - even an Apple Store - but you wouldn't know from that Main Hall. That Hall is it. A huge, open space for people to pass through without stress or panic. You don't have to be a "consumer", you don't even have to be a passenger. You can just walk in and marvel at it.
There were plans in the 1960s to build a skyscraper on top of Grand Central; it would have obliterated the waiting area and been even higher than the Pan Am building that was built. The railroad company took the city to court to try and get a preservation order removed, arguing that it was a land grab and probably Communist or something. I think it shows what a wonderful civilisation we live in that the people who wanted to destroy Grand Central have been allowed to continue to live and thrive in polite society. Personally I'd have had them killed and dangled from the ceiling.
Perhaps we should thank Penn Station. Its overwhelming awfulness reminds you how amazing Grand Central is.
Oh, I just want to go back now.
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